By Terence Rattigan
Directed by Rachel Kavanaugh
Company: Birmingham Repertory Theatre in association with Mark Goucher and Gavin Kalin
Venue: Chichester Festival Theatre
Date: Monday 12th February 2018
This is one of our favourite Rattigan plays, and tonight we saw a very good performance of it. Being a touring production, the set had loosened its corsets and spread itself out on the vast main stage, but there was still lots of room around the edges. This might have weakened many a lesser production, but the cast here were well up to the challenge, and gave us a finely detailed version of the play with plenty of humour.
By Terence Rattigan
Directed by Lindsay Posner
Venue: Old Vic
Date: Wednesday 24th April 2013
There was the usual screen in front of the stage at the start of this performance, showing an extract from a legal text detailing Petition of Rights procedures. Being familiar with the play, this was quite interesting to read, though as it was only one page I soon ran out of material. When the screen rose, the set was revealed: an Edwardian drawing room with the door to the hall on the left wall, double folding doors to the dining room centre back and French windows to the garden on the right. The sofa was central, in front of the dining room doors, and had round plush green cushions. A matching chair stood on the left and a brown leather wingback chair on the right with a table beside it. The telephone was on a small table by the main door, and the remaining furniture and furnishings were all suitably appropriate, as were the costumes.
This was a very good production. Henry Goodman played Mr Winslow with more of an emphasis on the comedy than I would have wished, but he still gave a very strong central performance; I wasn’t as moved as I have been with some other productions, but I wasn’t dry-eyed either. The rest of the cast were all top-notch too, and the mock trial scene at the end of the first half went very well. This time, I fancied there was a chance for Sir Robert and Grace to have a relationship in the future. I will just mention Wendy Nottingham as the maid, Violet. It can be difficult nowadays for an audience to appreciate just how eccentric a maid Violet is, but today it was clear from the outset that she ‘just wouldn’t do’ for most respectable families with her casual attitude and complete lack of discretion. A lovely performance in a very strong ensemble.
© 2013 Sheila Evans at ilovetheatre.me