By Charlotte Jones
Directed by Paul Miller
Venue: Orange Tree Theatre
Date: Thursday 29th March 2018
It was good to see such a strong production here again, after our last visit. The set was good, the performances very good and we enjoyed ourselves very much. The only downside for me was that I’m currently waiting for an appointment to get my ears syringed – until that happens everything is a bit muffled. But in such a small space, and with such skilled actors, that wasn’t a problem today. I may have missed the occasional word, but that’s normal.
By Alfred Uhry
Directed by Richard Beecham
Company: Theatre Royal Bath
Venue: Chichester Festival Theatre
Date: Thursday 30th November 2017
This was a pleasant surprise. Having seen a decent touring production at the Theatre Royal Brighton in 1993, I considered this a fairly average play: I was happy to see it again but didn’t have high expectations. Steve had also seen the production at the Old Vic in 2011, in which Vanessa Redgrave and James Earl Jones demonstrated that they might have been the right age, but they no longer had the power to do the parts justice.
By William Shakespeare
Directed by Richard Twyman
Company: Shakespeare at the Tobacco Factory and The Tobacco Factory
Venue: The Tobacco Factory
Date: Monday 27th February 2017
Another fantastic production from STF, with the emphasis clearly on the text and the characters. The two young actors playing Othello and Desdemona did good work, but for me it was the brilliance of Mark Lockyer’s Iago supported by Katy Stephen’s perfectly pitched Emilia that made this performance so powerful. There were one or two aspects which didn’t work quite so well, but this is a production I would recommend highly to anyone: it’s a shame the public haven’t responded by making it a sell out for the whole of its run.
Music and lyrics by Frank Loesser, book by Jo Swerling and Abe Burrows
Based on the writing of Damon Runyon
Company: Guildford School of Acting
Directed by Samuel Wood
Venue: Yvonne Arnaud Theatre
Date: 23rd February 2017
It was lovely to attend a performance of Guys And Dolls again, and this performance by the talented students of the Guildford School of Acting was great fun and brilliantly performed. We sat front and centre (row C – to make room for the band) and enjoyed ourselves enormously, and we were not alone.
By William Shakespeare
Directed by Simon Godwin
Date: Tuesday 29th March 2016
This was a fascinating production. The choice of setting – the Central African Kingdom of Denmark – added spice and plenty of colour to the usually dour atmosphere, and the combination of clear dialogue and some strong ensemble performances made for an enjoyable and occasionally gripping evening. I still have reservations about a few of the staging choices, and there were some periods when the energy dropped a bit, but Paapa Essiedu showed his star credentials with his intelligent and mercurial portrayal of the central character. We could see some echoes of his Romeo from last year at the Tobacco Factory, but these were very slight, and didn’t detract from his amazing stage presence and total embodiment of his role. I will be very interested to see this again and indeed any future productions in which this young man participates.
By Helen Edmundson
Directed by Natalie Abrahami
Venue: Swan Theatre
Date: Wednesday 13th January 2016
We enjoyed seeing this again, and while the performance had certainly come on a bit since November, I felt that overall it was just as good as last time, although Steve would have rated it at 9/10. Natascha McElhone showed a great deal more confidence as Lady Sarah Churchill, and the dialogue may have been even crisper, though as this was the captioned performance, and our seats put us almost in a direct line with the screen, I can’t be sure. One very noticeable change was that the auditorium was packed tonight – almost every seat was filled. The two next to us on the aisle were vacant – more on that story later – but otherwise it was close to a sell-out.
By William Congreve
Directed by Theo Scholefield
Venue: Swan Theatre
Date: Tuesday 8th December 2015
The advantage of a production with such a loose, interactive style of performance is that the understudies’ run fits in perfectly. Pre-prepared mistakes are part of the enjoyment, so a few unintended ones from time to time can slot right in. This audience was already in an end-of-term mood, so the pre-show ‘warm-up’ was off to a flying start. We were sitting on the right hand side of the stage this time, close to the front, so we had an even more detailed view of the performance, and after yesterday’s fun we made sure we were in early to enjoy as much as we could of the initial activities.