Othello – February 2017

Experience: 8/10

By William Shakespeare

Directed by Richard Twyman

Company: Shakespeare at the Tobacco Factory and The Tobacco Factory

Venue: The Tobacco Factory

Date: Monday 27th February 2017

Another fantastic production from STF, with the emphasis clearly on the text and the characters. The two young actors playing Othello and Desdemona did good work, but for me it was the brilliance of Mark Lockyer’s Iago supported by Katy Stephen’s perfectly pitched Emilia that made this performance so powerful. There were one or two aspects which didn’t work quite so well, but this is a production I would recommend highly to anyone: it’s a shame the public haven’t responded by making it a sell out for the whole of its run.

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Guys And Dolls – February 2017

Experience: 8/10

Music and lyrics by Frank Loesser, book by Jo Swerling and Abe Burrows

Based on the writing of Damon Runyon

Company: Guildford School of Acting

Directed by Samuel Wood

Venue: Yvonne Arnaud Theatre

Date: 23rd February 2017

It was lovely to attend a performance of Guys And Dolls again, and this performance by the talented students of the Guildford School of Acting was great fun and brilliantly performed. We sat front and centre (row C – to make room for the band) and enjoyed ourselves enormously, and we were not alone.

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Hamlet – March 2016

Experience: 8/10

By William Shakespeare

Directed by Simon Godwin

Company: RSC

Venue: RST

Date: Tuesday 29th March 2016

This was a fascinating production. The choice of setting – the Central African Kingdom of Denmark – added spice and plenty of colour to the usually dour atmosphere, and the combination of clear dialogue and some strong ensemble performances made for an enjoyable and occasionally gripping evening. I still have reservations about a few of the staging choices, and there were some periods when the energy dropped a bit, but Paapa Essiedu showed his star credentials with his intelligent and mercurial portrayal of the central character. We could see some echoes of his Romeo from last year at the Tobacco Factory, but these were very slight, and didn’t detract from his amazing stage presence and total embodiment of his role. I will be very interested to see this again and indeed any future productions in which this young man participates.

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Queen Anne – January 2016

Experience: 8/10

By Helen Edmundson

Directed by Natalie Abrahami

Venue: Swan Theatre

Date: Wednesday 13th January 2016

We enjoyed seeing this again, and while the performance had certainly come on a bit since November, I felt that overall it was just as good as last time, although Steve would have rated it at 9/10. Natascha McElhone showed a great deal more confidence as Lady Sarah Churchill, and the dialogue may have been even crisper, though as this was the captioned performance, and our seats put us almost in a direct line with the screen, I can’t be sure. One very noticeable change was that the auditorium was packed tonight – almost every seat was filled. The two next to us on the aisle were vacant – more on that story later – but otherwise it was close to a sell-out.

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Love For Love (understudies) – December 2015

Experience: 8/10

By William Congreve

Directed by Theo Scholefield

Venue: Swan Theatre

Date: Tuesday 8th December 2015

The advantage of a production with such a loose, interactive style of performance is that the understudies’ run fits in perfectly. Pre-prepared mistakes are part of the enjoyment, so a few unintended ones from time to time can slot right in. This audience was already in an end-of-term mood, so the pre-show ‘warm-up’ was off to a flying start. We were sitting on the right hand side of the stage this time, close to the front, so we had an even more detailed view of the performance, and after yesterday’s fun we made sure we were in early to enjoy as much as we could of the initial activities.

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Love For Love – December 2015

Experience: 8/10

By William Congreve

Directed by Selina Cadell

Venue: Swan Theatre

Date: Monday 7th December 2015

Nearly thirty years ago we saw a production of this play at the National, with an amazing cast which included Michael Bryant, Stephen Moore, Amanda Redman, Sara Kestleman and Sally Dexter amongst the leading actors. Despite this, neither of us has any recollection of the play or the performances: I suspect the language was much too dense for me due to my lack of experience with Restoration dialogue, and Steve may have a similar excuse. Tonight, thanks to the RSC, we had all the fun of rediscovering this little gem, and in a production which would be hard to forget, regardless of the density of the language. This production sparkled with wit and cheeky humour, the cast were all excellent, and the RSC should probably be claiming royalties from The Play That Goes Wrong, since their use of carefully rehearsed ‘accidents’ has been going on for several decades now, and will be continuing into the foreseeable future judging by this performance. Plenty to enjoy already, and we have all the fun of an understudy run tomorrow as well. Jubilate!

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The Distance – December 2015

Experience: 8/10

By Deborah Bruce

Directed by Charlotte Gwinner

Venue: Orange Tree Theatre

Date: Thursday 3rd December 2015

We missed this first time around – I forget why – so it was great to have another opportunity to catch it. We were even more delighted after seeing the performance, as this is an excellent play, which manages to be both funny and moving as well as raising issues rarely, if ever, mentioned in public, never mind on stage. A great spot by Paul Miller, the Orange Tree’s artistic director, who told us he’d been amazed that no other theatre had picked it up – their loss is the Orange Tree’s gain.

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