This was a fantastic performance. In contrast to their Macbeth earlier this year, this production worked brilliantly to bring out the story and the characters, and kept us riveted throughout. The rest of the audience enjoyed it too, and with many younger folk among us, it was a great showcase for Arthur Miller’s work as well as this company’s.
Tonight we sat directly opposite our previous seats, which not only gave us a great view of tonight’s performance, but also a completely different perspective. The cast had made good use of the extra practice, and all the performances had developed nicely; although there were still a few fluffs, nothing detracted from the marvellous energy and pace with which they drove this story along, and there were some lovely extra details here and there. Sadly, the house was not full, so clearly word has not yet got out about how wonderful this production is. I’m tempted to ask my maestro of the scheduling (aka Steve) to see if we can squeeze in another viewing during the tour, but one look at my diary – we have a LOT coming up – suggests that won’t be possible. Catch it if you can.
Adapted by Christopher Sergel from the novel by Harper Lee
Directed by Timothy Sheader
Company: Regent’s Park Open Air Theatre
Date: Thursday 2nd July 2015
This was a fabulous performance, and I’m thrilled we got to see it. The style of presentation meant that it took about fifteen minutes for me to be fully engaged, but after that we had a blissful ride through one of the most intelligent and moving stories ever written. I sniffled, I cried, there was quite a lot of humour and even a gasp, not to mention tumultuous applause at the end. A great afternoon.
By Richard Brinsley Sheridan, with additions by Dominic Power
Directed by Andrew Hilton
Company: Shakespeare At The Tobacco Factory
Venue: Tobacco Factory
Date: Wednesday 15th April 2015
Brilliant from beginning to end. Probably the best production of this play we’re likely to see. And we’ve only booked for one viewing – drat! And this was an early performance, so it’s bound to get even better despite such a short run – double drat!
This was a fantastic introduction to both St Agnes Fountain and the Hailsham Pavilion, which is a delightful small theatre space with a good atmosphere and strong audience support. We have added it to our ‘check regularly’ list. The little stage was rather crowded, with Julie Matthews on keyboard (and occasional guitar) on the left, Chris While beside her on guitar and percussion, David Hughes next on guitar and Chris Leslie on the right with an assortment of instruments around him. Behind them were three banners each showing a ship, in the style of a stained glass window, and there was an abundance of tinsel everywhere that tinsel could safely be put as well as a string of ever-changing lights draped along the row of microphones. It would be hard to miss that this was a Christmas show.
This was a fantastic performance. The modern setting enriched the detailed characterisations while the set gave us the necessary locations without being too elaborate. We had one understudy on stage today: Robert Demeger was indisposed so Jonathan Dryden Taylor took his place as the Duke.
This was fantastic! The fiddle line-up consisted of Peter Knight, Garry Blakely, Ian Cutler, Brian McNeill, Phil Beer, Tom Leary and Chris Leslie. The rest of the band were the usual suspects – a great combo.
They started off with some tunes, then more tunes – sorry, they didn’t give us the names and I’m not that familiar with their repertoire – and then Hugh actually said hello to us. He mentioned the new CD Rise Above It (we’d already spotted it, and bought our copy) and after Lochanside to Maribor*, Garry did his solo spot: Sons Of The Soil*, with Peter, High and Brian doing the backing vocals. Garry then introduced Tom Leary, who arrived with Chris Leslie, and the trio then did three tunes, with Chris playing a woodwind instrument which had a lovely haunting sound. There was a minor problem with feedback, soon sorted, and they began again. One of the tunes was called Tartan Slippers.