Love From A Stranger – March 2018

Experience: 8/10

By Frank Vosper, adapted from a short story by Agatha Christie

Directed by Lucy Bailey

Co-produced by Fiery Angel and Royal & Derngate Northampton

Venue: Yvonne Arnaud Theatre

Date: Thursday 29th March 2018

Several surprises tonight. Firstly, this was an Agatha Christie story which I didn’t remember, so I was much more caught up in the suspense that I expected. Secondly, Lucy Bailey’s production had more tesnsion and was more gripping than I’d anticipated. We’d seen her version of Dial M For Murder some years ago, and really enjoyed the way she used the movement of the stage and a much looser set design to create a greater sense of suspense than usual, but although the set here was less balletic, with front and back sections simply sliding from side to side as needed, it didn’t get in the way of the performances, and allowed the tension to build. And finally, and even more surprising, was to find in our records that we saw a production of Love From A Stranger thirty years ago, at the Theatre Royal Brighton: safe to say, I have absolutely no recollection of that production at all.

Continue reading

Dr Jekyll and Mr Hyde – February 2018

Experience: 6/10

Adapted by David Edgar from the story by Robert Louis Stevenson

Directed by Kate Saxon

Venue: Rose Theatre, Kingston

Date: Thursday 15th February 2018

This was a decent attempt to put Stevenson’s story on the stage, but suffered from the usual problems of such adaptations – having to shift scenes very quickly as well as coping with visual changes which are done much more easily on TV and film. The cast did a reasonable job overall, and Phil Daniels created two clearly distinct performances as Jekyll and Hyde. The addition of a singer for this production was largely wasted on me, and I found the gloomy lighting a problem at times, as with increasing age I need more light to see by, not less. But this performance certainly kept my attention much better than the afternoon’s offerings, for which I was grateful.

The set had to accommodate several locations, and while it wasn’t the most sophisticated I’ve ever seen, it did the job pretty well. An upper balcony stretched across the centre of the stage, with a spiral staircase at the left side. Underneath was a filler wall which could be either the doors to Jekyll’s sister’s garden or the fireplace of Jekyll’s flat. For other locations it was usually left open. There were doors at either side of the wide stage, and an additional door, coloured bright red, in Jekyll’s lodgings, this being the door to the lab. Once through this door, a tall rack of glass bottles containing coloured liquids masked the right-hand door, while a table and overhead light took centre stage. With all of the furnishings removed, the stage became a gloomy London street.

The costumes and décor all contributed to the murky nature of the production. Dark clothes and dark paintwork made for dismal surroundings, but the cast did their best to keep things moving, and for the most part it worked quite well. My main problem was with the maid, Annie. It took me a long time to adjust to her accent, probably because it travelled round the British Isles at a fair lick. If it had settled down in one place, I would have been alright. Steve and I heard hints of Irish, Scottish and West Country, and that, combined with a tendency to gabble her lines, meant I got very little from her part at all. Since she was the one in the lab with Jekyll/Hyde at the end, when the final revelations were being presented, I lost most of the connection I’d had with the plot and found myself looking at my watch more than once. Even so, we enjoyed ourselves well enough, along with the rest of the audience.

© 2018 Sheila Evans at ilovetheatre.me

All’s Well That Ends Well – March 2016

Experience: 9/10

By William Shakespeare (with a little help from Dominic Power)

Directed by Andrew Hilton

Company: Shakespeare at the Tobacco Factory (STF) and Tobacco Factory Theatres (TFT)

Venue: Tobacco Factory

Date: Thursday 31st March 2016

This production was a revelation: we were completely enthralled by this adapted version of one of Will’s ‘troublesome’ plays. As it was the first night, the cast were a little tense to begin with, but after some strong laughs in the first half, they relaxed into it, and the rest of the performance was noticeably more confident. There’s still some improvement in it even so; a few lines were fluffed tonight, but that’s to be expected, and one or two of the scene changes are likely to speed up with practice, but nothing detracted from this superb interpretation of this less-performed play.

Continue reading

To Kill A Mockingbird – July 2015

Experience: 10/10

Adapted by Christopher Sergel from the novel by Harper Lee

Directed by Timothy Sheader

Company: Regent’s Park Open Air Theatre

Venue: Barbican

Date: Thursday 2nd July 2015

This was a fabulous performance, and I’m thrilled we got to see it. The style of presentation meant that it took about fifteen minutes for me to be fully engaged, but after that we had a blissful ride through one of the most intelligent and moving stories ever written. I sniffled, I cried, there was quite a lot of humour and even a gasp, not to mention tumultuous applause at the end. A great afternoon.

Continue reading

Dear Lupin – May 2015

Experience: 7/10

By Roger Mortimer and Charlie Mortimer

Directed by Philip Franks

Venue: Yvonne Arnaud Theatre

Date: Monday 18th May 2015

This was a sweet, humorous and occasionally moving story about the relationship between a real-life father and son. The son, Charles, was so wayward from an early age that his father Roger named him Lupin after the errant son in Diary Of A Nobody, though from this version of events it’s doubtful whether the original Lupin would have been able to keep up with Charles as he drank, smoked and snorted his way through his schooldays and beyond.

Continue reading

The Rape Of Lucrece – June 2014

Experience: 9/10

By William Shakespeare

Directed by Elizabeth Freestone

Venue: Swan Theatre

Date: Thursday 26th June 2014

We saw this same production three years ago and were keen to see how they were doing it now. We had contrasting opinions this time: I didn’t think the production had changed much (although the performances had naturally developed) while Steve felt it was very different and preferred this performance to the previous one. To be fair, he didn’t rate our first viewing as high as I had, a fact which, in the glow of a wonderful evening, I seem to have omitted from my notes.

Continue reading

Classic Ghosts – April 2014

Experience: 7/10

Directed by Michael Lunney

Middle Ground Theatre Company

Venue: Yvonne Arnaud Theatre

Date: Monday 14th April 2014

This was a double bill. The first play was an adaptation by Margaret May Hobbs of M R James’ short story Oh, Whistle, And I’ll Come To You, My Lad, accompanied by The Signalman, adapted by Francis Evelyn from the story by Charles Dickens. We’ve enjoyed M R James’ work before – A Pleasing Terror and A Warning To The Curious were both good, chilling fun – and we were keen to see how this tale would work adapted into a play; the earlier performances were both narrations of the stories.

Continue reading