The Merchant Of Venice – May 2015

Experience: 6/10

By William Shakespeare

Directed by Polly Findlay

Venue: RST

Date: Tuesday 26th May 2015

This has only just been reviewed by the papers, so it’s still early in its run; hopefully it will come on from this shaky and rather uninspiring start. The production style included a fair amount of gimmicks – a swinging pendulum, mirrors at the back and on the floor, lots of candles – which often proved to be a distraction, and with very little detail in most of the performances I found I couldn’t care about these characters at all. The script had been heavily edited but the story was pretty clear; it’s just that their way of telling it didn’t engage me or give me any insight into the play. It’s possible that the inkblot style had been deliberately extended to the characterisations as well, supposedly allowing us to make our own minds up; although some people prefer that style of production, I generally find it unhelpful. Having said all this, we enjoyed ourselves enough to rate the performance at 6/10, so there’s the possibility of improvement on further viewing.

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Dear Lupin – May 2015

Experience: 7/10

By Roger Mortimer and Charlie Mortimer

Directed by Philip Franks

Venue: Yvonne Arnaud Theatre

Date: Monday 18th May 2015

This was a sweet, humorous and occasionally moving story about the relationship between a real-life father and son. The son, Charles, was so wayward from an early age that his father Roger named him Lupin after the errant son in Diary Of A Nobody, though from this version of events it’s doubtful whether the original Lupin would have been able to keep up with Charles as he drank, smoked and snorted his way through his schooldays and beyond.

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The Rehearsal – May 2015

Experience: 7/10


By Jean Anouilh

Translated and directed by Jeremy Sams

Venue: Minerva Theatre

Date: Tuesday 12th May 2015

1983 was the last time we saw this play; naturally our memories had faded almost completely in that time. So we were glad to have this opportunity to see it again, and this production in the Minerva certainly gave us some very strong performances to remember.

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