By Agatha Christie
Directed by Joe Harmston
Agatha Christie Theatre Company
Venue: Yvonne Arnaud Theatre
Date: Wednesday 1st April 2015
An excellent day to be seeing this thriller again, given the early suggestion that someone was playing a practical joke on the assembled guests at the isolated island retreat of Mr and Mrs U N Owen (unknown). Despite our familiarity with the plot, we rated this performance higher than the previous time we saw it – don’t know why that was – and with the same set and staging there’s little to comment on in terms of the production, but I will make a few notes just the same.
There was some stormy music playing quietly when we entered the auditorium, accompanied by the sound of waves crashing against rocks. When the curtain rose, a large chandelier was sitting centre stage, covered with a large cloth; the butler’s first task when he came on was to remove the cloth and use a push button on the left side wall to raise the chandelier up. This was the same control panel that the murderer uses at the end to lower the noose.
The ‘guests’ began arriving almost immediately. Marston, the arrogant boy racer, was very affected, whilst Davis, the apparent South African who turned into an English copper, was bluff and hearty. The judge said “when” before the soda siphon had even reached his whisky, which got a laugh, and I noticed this time that nobody could remember Davis’s name. The back of the secretary’s evening dress was very low-cut, and this infuriated Emily Brent, a self-righteous individual who took great delight in the divine punishment of people she didn’t like. The bitchiness between her and Vera Claythorne – the secretary – was very well done, as were the snide remarks by the housekeeper.
Some of the murderer’s actions were less clear this time round, but just as effective in reducing the population of the island, while the soldiers were being removed by whichever member of the cast was in the vicinity. Ben Nealon, a stalwart of this company, was making sure he could be heard in the back row, but as we were sitting right at the front, he was a bit too loud for my liking. I did spot some passing references to Christie’s other work, such as the doctor suggesting that another character may be an impostor, and again I was aware of how well this play has been put together. The auditorium was fairly full, and we gave them a good response at the end of the evening as well as providing lots of gasps and suchlike during the performance.
© 2015 Sheila Evans at ilovetheatre.me