By William Shakespeare
Directed by Richard Twyman
Company: Shakespeare at the Tobacco Factory and The Tobacco Factory
Venue: The Tobacco Factory
Date: Monday 27th February 2017
Another fantastic production from STF, with the emphasis clearly on the text and the characters. The two young actors playing Othello and Desdemona did good work, but for me it was the brilliance of Mark Lockyer’s Iago supported by Katy Stephen’s perfectly pitched Emilia that made this performance so powerful. There were one or two aspects which didn’t work quite so well, but this is a production I would recommend highly to anyone: it’s a shame the public haven’t responded by making it a sell out for the whole of its run.
Music and lyrics by Frank Loesser, book by Jo Swerling and Abe Burrows
Based on the writing of Damon Runyon
Company: Guildford School of Acting
Directed by Samuel Wood
Venue: Yvonne Arnaud Theatre
Date: 23rd February 2017
It was lovely to attend a performance of Guys And Dolls again, and this performance by the talented students of the Guildford School of Acting was great fun and brilliantly performed. We sat front and centre (row C – to make room for the band) and enjoyed ourselves enormously, and we were not alone.
By William Shakespeare (slightly adapted)
Directed by Barry Rutter
Company: Northern Broadsides
Venue: Yvonne Arnaud
Date: Wednesday 11th May 2016
We like Northern Broadsides’ no-nonsense approach to Shakespeare’s texts, so we weren’t bothered to find that this version of Merry Wives was no longer set in Windsor, but had been relocated to a country club a few miles outside Harrogate (information courtesy of a post-show chat with the cast). The costumes located the play in the 1920s (with some variations) and the set created a stylish yet simple space for all of the action, with little need to trundle lots of furniture on and off. There was a replica of a 1920s treadmill and three lovely examples of period bicycles, including a tandem, to add to the fun, and the few alterations to the text included the “old woman of Ilkley”, a perfectly acceptable substitution. Apart from that, the dialogue was as expected, and the performance fairly zinged along, with some lovely business to keep us entertained. A shame there were so few of us to enjoy the fun – the auditorium was about a third full – but hopefully they will get better attendances later in the week.
By William Shakespeare, adapted by Dominic Power
Directed by Andrew Hilton
Company: STF and TFT
Venue: Tobacco Factory
Date: Wednesday 13th April 2016
Tonight we sat directly opposite our previous seats, which not only gave us a great view of tonight’s performance, but also a completely different perspective. The cast had made good use of the extra practice, and all the performances had developed nicely; although there were still a few fluffs, nothing detracted from the marvellous energy and pace with which they drove this story along, and there were some lovely extra details here and there. Sadly, the house was not full, so clearly word has not yet got out about how wonderful this production is. I’m tempted to ask my maestro of the scheduling (aka Steve) to see if we can squeeze in another viewing during the tour, but one look at my diary – we have a LOT coming up – suggests that won’t be possible. Catch it if you can.
Written by William Shakespeare
Directed by Max Webster
Produced by The Royal and Derngate in association with ATG
Venue: The Royal, Northampton
Date: Tuesday 12th April 2016
We’ll go a long way for a good Shakespeare production, and we were more than eager to see Michael Pennington give us his King Lear. We weren’t disappointed: although some aspects of the production could have been stronger, there was no mistaking the majestic central performance, and with his skill in delivering the lines, there was also no need for any gimmicks to support the performances. Shakespeare neat, on the rocks: just how we like it.
By William Shakespeare (with a little help from Dominic Power)
Directed by Andrew Hilton
Company: Shakespeare at the Tobacco Factory (STF) and Tobacco Factory Theatres (TFT)
Venue: Tobacco Factory
Date: Thursday 31st March 2016
This production was a revelation: we were completely enthralled by this adapted version of one of Will’s ‘troublesome’ plays. As it was the first night, the cast were a little tense to begin with, but after some strong laughs in the first half, they relaxed into it, and the rest of the performance was noticeably more confident. There’s still some improvement in it even so; a few lines were fluffed tonight, but that’s to be expected, and one or two of the scene changes are likely to speed up with practice, but nothing detracted from this superb interpretation of this less-performed play.
By Christopher Marlowe
Directed by Maria Aberg
Venue: Swan Theatre
Date: Wednesday 30th March 2106
Maria Aberg is fast heading for “Danger, Will Robinson” status, given to those directors whose work we avoid so as not to waste any of our precious remaining minutes on this planet. This production moved her a good few notches closer – only memories of her As You Like It stand between her and oblivion. (I doubt this will trouble her in the least.) Tonight’s offering was dire in every way except the performances by the lead actors – we have huge respect for the work they do, and given the unfortunate nature of the production they did as well as could be expected. Even so, I avoided adding to the applause at the end, and Steve’s contribution was polite but unenthusiastic.