By Agatha Christie
Directed by Joe Harmston
The Agatha Christie Theatre Company
Venue: Yvonne Arnaud Theatre
Date: Wednesday 23rd April 2014
Front row again for this play. We saw a rehearsed reading a couple of years ago at Chichester with David Suchet not only reading the part of Poirot, but dressing up in the costume and acting the part as well as could be imagined; it was as if the great detective had agreed to play himself in a radio play which we were privileged to witness. No David Suchet himself this time, of course, but Robert Powell was an excellent substitute, delivering the great detective’s role with style and authority, and well supported by the rest of the cast.
I won’t give away the plot. We knew whodunnit from the off, and with the action unfolding directly in front of us I even spotted the culprit in the act of committing the murder! The unravelling of the crime and exposure of the criminal was very well done, and being able to see the action as well as hear the dialogue was great fun.
Set in 1929, the costumes and set were wonderfully detailed, with the elderly aunt choosing to dress in an older style from the young ‘uns. The room in which all the action was set was in the (then) modern Art Deco style, with double doors in the vast window at the back leading into the garden, a door on the left to the study, doors front right and back right to other parts of the house and a fireplace on the left side of the room. There was marble, glossy black and chrome everywhere, while the sofa, chairs, tables and other furnishings all looked period to me.
This time round I noticed some interesting references in the dialogue to two of Christie’s other works, The Unexpected Guest and The Mousetrap (although as that play was written after this one, the humour was anachronistic – we laughed anyway). I did try to listen for other references, but I became so engrossed in the story I lost track.
Robin McCallum was a marvellous Hastings, bringing out a lot of humour in his facial expressions, and the audience was nicely responsive both during the performance and at the end.
© 2014 Sheila Evans at ilovetheatre.me