Macbeth – May 2018

Experience: 6/10

By William Shakespeare

Directed by Rufus Norris

Venue: Olivier Theatre

Date: Tuesday 1st May 2018

We had read a few snippets about this production, as well as hearing comments from several friends, so we kept our expectations low when we took our seats for this performance. And as so often happens, that helped us to enjoy the good bits of this performance while not being distracted too much by the rubbish stuff, and when I say ‘rubbish’, you can take that literally. When the National wants to show the excesses of our materialistic, throwaway society, as in the Simon Russell Beale Timon several years ago, they do it in style. Well, there’s a lot of the Olivier stage to fill with something – might as well be bin bags.

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Romeo and Juliet – April 2018

Experience: 5/10

By William Shakespeare

Directed by Erica Whyman

Venue: RST

Date: Wednesday 25th April 2018

The stories of A View From The Bridge and Romeo and Juliet may have strong similarities, but there was no comparison between last night’s performance of the former and today’s offering of the latter. Last night: strong performances, plenty of tension and an enthralled audience which included many young people. Tonight, the younger audience members were impressed, to judge by the response, but we felt the production was patchy. It’s an early performance, of course, and we would expect the cast to get stronger as the run goes on, but whether we get anything more out of a second viewing remains to be seen.

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Macbeth – March 2018

Experience: 6/10

By William Shakespeare

Company: Tobacco Factory Theatres

Director: Adele Thomas

Venue: Tobacco Factory

Date: Tuesday 6th March 2018

This is the first Shakespeare production by the Tobacco Factory Theatres Company. It fills the slot previously occupied by the Shakespeare at the Tobacco Factory company (STF), who are now doing their productions in the autumn, but our main reason for wanting to see this particular Macbeth was the advance information we got last year at the RSC’s Summer School that Katy Stephens would be playing Lady Macbeth! Made this a must-see.

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King Lear – October 2017

Experience: 9/10

By William Shakespeare

Directed by Jonathan Munby

Venue: Chichester Festival Theatre

Date: Thursday 5th October 2017

We’re so glad that Sir Ian McKellen decided to have another go at this part. We found the earlier production, part of the RSC’s Complete Works season, rather dull, but there was no lack of tension and excitement in tonight’s performance. The emotional aspects of the various characters were fully developed this time, while the staging was brisk and the story-telling clear, all of which made for a much more enjoyable and fulfilling experience.

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Othello – February 2017

Experience: 8/10

By William Shakespeare

Directed by Richard Twyman

Company: Shakespeare at the Tobacco Factory and The Tobacco Factory

Venue: The Tobacco Factory

Date: Monday 27th February 2017

Another fantastic production from STF, with the emphasis clearly on the text and the characters. The two young actors playing Othello and Desdemona did good work, but for me it was the brilliance of Mark Lockyer’s Iago supported by Katy Stephen’s perfectly pitched Emilia that made this performance so powerful. There were one or two aspects which didn’t work quite so well, but this is a production I would recommend highly to anyone: it’s a shame the public haven’t responded by making it a sell out for the whole of its run.

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The Merry Wives – May 2016

Experience: 9/10

By William Shakespeare (slightly adapted)

Directed by Barry Rutter

Company: Northern Broadsides

Venue: Yvonne Arnaud

Date: Wednesday 11th May 2016

We like Northern Broadsides’ no-nonsense approach to Shakespeare’s texts, so we weren’t bothered to find that this version of Merry Wives was no longer set in Windsor, but had been relocated to a country club a few miles outside Harrogate (information courtesy of a post-show chat with the cast). The costumes located the play in the 1920s (with some variations) and the set created a stylish yet simple space for all of the action, with little need to trundle lots of furniture on and off. There was a replica of a 1920s treadmill and three lovely examples of period bicycles, including a tandem, to add to the fun, and the few alterations to the text included the “old woman of Ilkley”, a perfectly acceptable substitution. Apart from that, the dialogue was as expected, and the performance fairly zinged along, with some lovely business to keep us entertained. A shame there were so few of us to enjoy the fun – the auditorium was about a third full – but hopefully they will get better attendances later in the week.

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All’s Well That Ends Well – April 2016

Experience: 10/10

By William Shakespeare, adapted by Dominic Power

Directed by Andrew Hilton

Company: STF and TFT

Venue: Tobacco Factory

Date: Wednesday 13th April 2016

Tonight we sat directly opposite our previous seats, which not only gave us a great view of tonight’s performance, but also a completely different perspective. The cast had made good use of the extra practice, and all the performances had developed nicely; although there were still a few fluffs, nothing detracted from the marvellous energy and pace with which they drove this story along, and there were some lovely extra details here and there. Sadly, the house was not full, so clearly word has not yet got out about how wonderful this production is. I’m tempted to ask my maestro of the scheduling (aka Steve) to see if we can squeeze in another viewing during the tour, but one look at my diary – we have a LOT coming up – suggests that won’t be possible. Catch it if you can.

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