I’ll Be The Devil – March 2008


By Leo Butler

Directed by Ramin Gray

Company: RSC

Venue: Tricycle Theatre

Date: Wednesday 5th March 2008

I’ve enjoyed a number of adaptations and works based on Shakespeare’s plays, but today’s effort, covering the rarely humorous topic of the British occupation of Ireland in the eighteenth century, was a particularly dreary affair, with over-long scenes and some ferociously authentic Irish accents that made large chunks of it unintelligible to me. Loosely based on The Tempest, so loosely that the original had vanished over the horizon, this play was meant to show us….what? From the opening scene with a blinded Dermot hanging on the stocks like an Irish Christ, I was completely befuddled by the gloom, the impenetrable dialogue, and the uninteresting characters. Bit of a problem, then.

Fortunately, the performance only ran for an hour and three quarters, so I didn’t have to wait too long to get back out in the fresh air. The other plus points were: it was our first time at the Tricycle, and it’s a nice little theatre, so we’ll enjoy going again, and maybe not just for RSC productions. The scene with the colonel deciding on a suitable punishment for Lieutenant Coyle, was good, and got across more about English attitudes to the Irish than the whole of the rest of the play. Actually, it had to, as there weren’t any other English characters around.

David Toole, playing a pot-boy, was amazing. Without legs, he was still able to move easily and gracefully around the room, and I found I was watching him most of the time during the tavern scene. Derbhle Crotty as the witch-figure, Maryanne, was the most clearly defined character, and although her scene with Lieutenant Coyle went on far too long, there were some interesting possibilities there. He’s a Catholic, pretending to be Protestant, who’s taken on his executed brother’s family, and given the widow a couple of children to keep her company. Now he has to pretend they’re not connected to him to avoid being discovered, but that doesn’t work, and he’s treated to some barbaric behaviour as a result. This comes from his fellow Irishmen, all former Catholics themselves.

It’s an unpleasant play in many ways, and while the violence and language aren’t so much of a problem for me (I did look away once or twice), I didn’t care for the boredom and lack of involvement. I don’t know if the playwright is Irish or not, but at times this seemed to be a fake Irish play, with caricatures rather than characters. Given that it’s inspired by The Tempest, maybe that’s the intention, but it didn’t help me to relate to the performance at all. Better luck next time.

© 2008 Sheila Evans at ilovetheatre.me

King Of Hearts – February 2007


By: Alistair Beaton

Directed by: Ramin Gray asnd Max Stafford Clark

Company: Out Of Joint

Venue: Yvonne Arnaud Theatre

Date: Thursday 8th February 2007

This was the world premiere of this play, as it turned out, and we were also treated to a post-show discussion, as directors and writer were present to see how it went. Personally, I thought it was very good, needing a bit of work here and there, but very entertaining, and speaking out on some issues that are being skirted round at the moment, but which affect everyone of us.

General context – the King is dying, his heirs are his two sons. The elder (Richard) is in love with a Muslim girl (Nasreen), and plans to marry her while still becoming King. The younger (Arthur) is a layabout, keen on a dissolute lifestyle of drink, drugs, etc., and not at all keen on becoming King if his brother abdicates. The Prime Minister (Richard) is plotting the early demise of the King (he’s on life support, so it’s just switching off the machine), until he discovers Richard’s plans. Then he switches to trying to keep the King alive as long as possible to stop Richard marrying a Muslim. Constitutional crisis. The Leader of the Opposition (Stephen) is present also – this is “above party politics” – and all sorts of shenanigans unfold. Nasreen seems to be keen on power – I hoped she’d reject Richard if he didn’t become King, but no, love overcame all. There’s also a rambling Archbishop of Canterbury (Marcus), plodding head of security (Holbrook), King’s private secretary (Sir Terence Pitch), ballsy female spin doctor (Annie), and gay assistant (Toby), giving us a good mix of views on a tricky subject, and lots of options for humour. I especially liked Toby blackmailing the Leader of the Opposition with a video clip showing him enjoying a sexual act, and Annie slapping Arthur for using the word “cunt”. Overall, the language wasn’t as strong as The Thick Of It, but it was fairly meaty at times, all well within context.

Post-show – didn’t hear all of it. The intro, where we get to see that Richard is involved with a Muslim lady, will be dropped tomorrow, to see how it goes – is it better for the audience to know what’s coming, or to be surprised? We were a very warm audience apparently, and they learned a lot from our responses. Jade Goody joke was allowed tonight, would only stay in if it was well received – expect it to stay. Comments on the amount of swearing – audience seemed split on whether it was too much or about right.

Definitely one to see again, partly to find out how it’s bedded down, and partly to re-enjoy.

© 2007 Sheila Evans at ilovetheatre.me