Fairport Convention – February 2010

8/10

Venue: Pavilion Theatre

Date: Tuesday 2nd February 2010

The support for this tour was a duo calling themselves Dark Horses – Flossie and Keith. She’s from France, via Darlington, and there were lots of laughs as she told us her story, especially how she, with a degree in English, had to adapt to the way English is actually spoke, like. Keith was also very funny, and a proper Geordie, though his accent wasn’t a  strong as Flossie’s.

They started with a couple of songs together – not bad but not really to my taste. Keith played guitar excellently, as did Flossie for her solo, and she has  a gorgeous voice. Bit nasal, but very rich and strong. After the first two songs, she did a Jacques Brel number called The Port Of Amsterdam, in French. No idea about the words, but the tune and her singing were fine. Keith did his solo next – a song entitled Kama Sutra, which included moves for the audience, leaning to the left for ‘left’, leaning to the right for ‘right’, slumping down for ‘down’, sitting up for ‘stand’ and clapping for ‘blue’. He even introduced a new move part way through when he saw one chap in the audience put his hands together as if in prayer on the word ‘alone’. As the song was full of these words, we were pretty active for a few minutes, both with the movements and laughing, which got us fully warmed up in both senses of the word.

Keith and Flossie sang a couple of songs more, enjoyable enough, then introduced Fairport and sang the first song of their set with them – Si Tu Dois Parti. This was the first time they’ve done it in the original language, thanks to Flossie’s presence. Fairport then gave us a selection of songs and tunes, old and new, including The Happy Man, Wouldn’t Say No, Jewel In The Crown, Hen’s March and other tunes, a Sandy Denny song called Rising to The Moon, Sir Parsifal, Ukulele Central, Walk Awhile, Dirty Linen (instrumental), Rocky Road (an adaptation of Prickly Bush), two Babbacombe Lee songs – Dream and Execution, Danny Jack’s Chase (instrumental), Who Knows Where The Time Goes, John Gaudie and The Bowman’s Retreat, etc. I enjoyed most of the set, though I still find it hard to hear what they’re singing. They finished the first half with The Festival Bell, and the second with an old favourite, slightly refurbished, Matty Groves.

The encore was another long-standing favourite of theirs, Meet On The Ledge. We were all encouraged to join them at this year’s Cropredy festival to sing along with this one at midnight on Saturday. From the response, it’ll be standing room only.

© 2010 Sheila Evans at ilovetheatre.me

Fairport Convention – February 2009

6/10

Venue: Pavilion Theatre, Worthing

Date: Friday 5th February 2009

Fairport were being supported on this tour by a wacky combo consisting of Ken Nicol (Albion Band, Steeleye Span and solo) and Phil Cool. Weird or what. Actually, they worked very well together; in fact they were probably better than the main act for me, and we bought their album at the end.

Their first song was the Kinks’ Sunny Afternoon. To put this in perspective, this was our first night out for quite a while, given the family circumstances and atrocious weather conditions. Admittedly, Worthing had got off pretty lightly, but it was still cold and damp, so opening with a song about lovely summer weather was definitely counter-intuitive, though good. Ken also gave us a solo instrumental, while Phil entertained us with his impersonations of famous people singing well known songs. This culminated in George W, accompanied by Donald Rumsfeld on banjo (looking suspiciously like Ken Nicol), singing a song about being an oilman. Phil also did an interesting song about Bob Dylan’s electric conversion, called Confiding In Maria. There were a few other songs, and Fairport turned up to form their backing group for their final number (apparently a tradition).

This done, Ken and Phil left the stage to the main band, and for me the enjoyment lessened. I think it just took me a while to warm up to Fairport’s style, plus the balance wasn’t ideal, as the vocals kept being drowned out. Apart from Chris Leslie, I found the singing uninteresting, and so I was quite happy they didn’t go on too long. Reynardine was good, and one or two of the others were OK, but on the whole it wasn’t my kind of music. We did get the CD from last year’s Cropredy festival, and listening to that it may well be that the acoustics were the main problem tonight, although as they had guest singers on the CD, I’ll reserve judgement till I have more evidence.

Ken and Phil returned for the final number, another tradition, and as Ken would be reporting back to Steeleye about the reception they got, we were asked to applaud as loudly as we could so as to get an encore. We were promised there was a special treat in store if we did, and to be fair, the sight of several grown men playing ukuleles, with a washboard and bass guitar rounding it off, was pretty impressive. The song was OK too, though not as special as I would have liked. The sing-along number which preceded the encore was another disappointment, as I didn’t know it, couldn’t make out the words, and very few people seemed to be joining in. Ah well, Steeleye in April, that’ll do me.

© 2009 Sheila Evans at ilovetheatre.me