Classic Ghosts – April 2014

Experience: 7/10

Directed by Michael Lunney

Middle Ground Theatre Company

Venue: Yvonne Arnaud Theatre

Date: Monday 14th April 2014

This was a double bill. The first play was an adaptation by Margaret May Hobbs of M R James’ short story Oh, Whistle, And I’ll Come To You, My Lad, accompanied by The Signalman, adapted by Francis Evelyn from the story by Charles Dickens. We’ve enjoyed M R James’ work before – A Pleasing Terror and A Warning To The Curious were both good, chilling fun – and we were keen to see how this tale would work adapted into a play; the earlier performances were both narrations of the stories.

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A Warning To The Curious – May 2013

Experience: 7/10

By M R James

Performed by Robert Lloyd Parry

Venue: Mill Studio

Date: Thursday 9th May 2013

A companion piece to A Pleasing Terror, this evening’s stories performed by Robert Lloyd Parry were Lost Hearts and A Warning To The Curious, one of M R James’ best known stories; it’s certainly been done on TV at least once to my knowledge, and a very scary story it is too.

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A Pleasing Terror – October 2012

8/10

By M R James

Performed by Robert Lloyd Parry

Venue: Mill Studio

Date: Thursday 4th October 2012

Robert Lloyd Parry basically narrated two of M R James’ ghost stories, one in each half, and yet it was a very enjoyable evening in the theatre. The set was very simple: a chair, a table, some candles and a coat stand behind were all that was needed – the actor did the rest. He sat in the chair before the start and waited there under a blanket until the start of the performance, then he emerged and began to tell us the story of Canon Alberic’s Scrap-book, in the role of the young Cambridge antiquary who experiences the strange events of the story. The lighting was dim, and as the story progressed he snuffed out a candle from time to time, making the stage a fraction darker. It was a very atmospheric re-telling; not as dramatic as the modern horror film genre but still enthralling and spine-tingling.

The second story, The Mezzotint, was connected to the first by the Cambridge man referring to the strange behaviour of some Oxford men he knew; this strange behaviour included spending time on the golf course and then having long conversations about the game afterwards. It was nice to have these touches of humour lightening the tone. The story of a picture which changed to show the details of a gruesome event from the past was just as atmospheric as the first, and although these tales may seem old-fashioned, I prefer this gentle building of tension. The consummate skill of James’s story-telling came out well in this splendid performance, and we bought the two DVDs to allow us to recapture the pleasure in the future.

© 2012 Sheila Evans at ilovetheatre.me