Romeo And Juliet – February 2015

Experience: 7/10

By William Shakespeare

Directed by Polina Kalinina

Company: SATTF

Venue: Tobacco Factory

Date: Friday 27th February 2015

For once, I’ll have to take my time describing the set for this production. Unlike their usual bare stage, this version of Will’s play made use of a very unusual piece of stage furniture, and as it went through several changes during the performance, there’s a lot to say about it. While I found its presence a bit of a distraction (because I felt compelled to jot down notes about it instead of focusing on the action) Steve didn’t notice it so much; however neither of us felt that it added much to the production.

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Love’s Labour’s Won – October 2014

Experience: 9/10

aka Much Ado About Nothing

By William Shakespeare

Directed by Christopher Luscombe

Venue: RST

Date: Wednesday 29th October 2014

Brilliant. We’d heard from one or two sources that this version of Much Ado had been altered to make it fit into the Love’s Labour’s Lost mould, and that it was less enjoyable as a result. Not a bit of it. We realised early on that the impact of the Great War was being completely ignored, and that the play’s lightness and jollity were intact, even if the text had been well trimmed. The set was basically the same, although there were some different locations, and with the passing of four years, the style of the costumes had altered to fit.

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Love’s Labour’s Lost Understudies – October 2014

Experience: 8/10

By William Shakespeare

Directed by Guy Unsworth

Company: RSC Understudies

Venue: RST

Date: Friday 24th October 2014

Our seats were much better for this performance – plum in the middle of the front stalls. Our view was excellent, and with the extra fun generated by the constraints of the Understudy run, this was a wonderful afternoon in the theatre. Nothing much to add to the lengthy description of the set in my previous notes, except that I spotted a telescope on a stand in the library, near the door back right. I also noticed a piece of paper attached to the wall beside the right tower door, and assumed it was the proclamation mentioned in the play. It disappeared later – didn’t see it being removed.

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Love’s Labour’s Lost – October 2014

Experience: 8/10

By William Shakespeare

Directed by Christopher Luscombe

Venue: RST

Date: Thursday 23rd October 2014

I was concerned during the early scenes of this performance that I wouldn’t enjoy myself half as much as I had for the previous RSC production (starring David Tennant, and, incidentally, with Edward Bennett as the King and Sam Alexander as Dumaine – both are promoted this time around). We sat by the left walkway a few rows back, and my sightlines were poor; the stage design and blocking meant that I had a great view of several actors’ backs and saw little of the early reactions and exchanges. Don Armado chose to lie down a lot on one or other of the various sofas, so it was hard to see his facial expressions, and the only glimpse I had of Jaquenetta’s face in her first scene was when she turned to give a flirtatious wave ‘goodbye’ to Costard. The dialogue wasn’t as clear as I would have liked either, so I was feeling a bit flat until about half-way through. After that, the comedy built beautifully and I was laughing loud and often until near the end of the evening when the tears started to come as well – more on that later.

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Julius Caesar – July 2014

Experience: 7/10

By William Shakespeare

Directed by Dominic Dromgoole

Venue: Shakespeare’s Globe

Date: Tuesday 8th July 2014

This was a much better experience than our previous visit (Titus Andronicus). We could hear the dialogue as well as seeing more of the action, and although there were a few casualties who needed to be helped out of the theatre, we weren’t distracted so much by them this time around. Mind you, they were still building the set when we arrived at our seats; two workmen were busy setting up the fake façade of a building underneath the balcony, which at least gave the audience something to watch while we waited for the play to begin.

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Titus Andronicus – July 2014

Experience: 6/10

By William Shakespeare

Directed by Lucy Bailey

Venue: Shakespeare’s Globe

Date: Wednesday 2nd July 2014

This rating was Steve’s – I chose to spend the second half in the Globe café so as not to be completely bored out of my mind. Even so, I would have given the first half a 5/10 rating as there were some good bits, but so much was happening on the far side of a pillar today that I wasn’t able to engage with or enjoy the performance at all.

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The Rape Of Lucrece – June 2014

Experience: 9/10

By William Shakespeare

Directed by Elizabeth Freestone

Venue: Swan Theatre

Date: Thursday 26th June 2014

We saw this same production three years ago and were keen to see how they were doing it now. We had contrasting opinions this time: I didn’t think the production had changed much (although the performances had naturally developed) while Steve felt it was very different and preferred this performance to the previous one. To be fair, he didn’t rate our first viewing as high as I had, a fact which, in the glow of a wonderful evening, I seem to have omitted from my notes.

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Henry IV part 1 – May 2014

Experience: 7/10

By William Shakespeare

Directed by Gregory Doran

Venue: RST

Date: Wednesday 28th May 2014

This is a rather clunky production at the moment, but there’s potential for improvement. We have some other visits planned for later in the year, so hopefully we’ll enjoy seeing the performances come on.

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King Lear – March 2014

Experience: 7/10

By William Shakespeare

Directed by Sam Mendes

Venue: Olivier Theatre

Date: Sunday 2nd March 2014

I was a little disappointed with this production today. I felt the concept didn’t quite work with this play, although there were some very good performances and one excellent piece of editing. The concept also meant I had no sympathy with Lear, thus no emotional engagement with him, and that’s a pretty big hole in the centre of the play.

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Richard II – January 2014

Experience: 8/10

By William Shakespeare

Directed by Greg Doran

Venue: Barbican Theatre

Date: Wednesday 15th January 2014

Although we hadn’t been able to choose our seats for this performance, we were pleased with our allocation which put us on the far end of the front row on the right. I had thought the production might seem rather 2D after the thrust stage in Stratford, but from our angle there wasn’t a lot of difference. The small stub of stage that pushes forward in the Barbican was almost level with our seats, so it was similar to sitting by the right walkway in the RST, down to the occasional blocked view as an actor stood in the ‘corner’ of the stage. Fortunately this wasn’t much of a problem today, and the benefits of being so close and seeing the action in even more detail far outweighed the minor inconvenience.

The set and staging hadn’t changed much, so I’ll get that out of the way to begin with. The cathedral space at the start looked even more imposing than before; it seemed higher than I remember. The bereaved Duchess of Gloucester came on alone this time, but approached a monk who had entered before her, whether to ask for assistance or for permission to sit by the coffin I don’t know. He helped her on her way, and she bowed to him before she sat down on the stool. While the side lights were still on at this point, the overhead lights had been turned off, so for once the audience grasped that the performance had started and were quiet through the beautiful singing – bliss.

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