By William Shakespeare
Directed by Michael Boyd
Venue: Courtyard Theatre
Date: Wednesday 12th August 2009
Not the understudies this time. I was a bit worried, as I’d liked several of the performances in the Understudies run, but I was looking forward to seeing Katy Stephens as Rosalind and Maria Gale giving us her Celia – we’d heard them talking about their roles earlier in the day. I needn’t have worried, of course, as the performances were just as good all round, and some were even better. I won’t name too many names, but Forbes Masson was superb as Jacques, especially in his opening scene, whipping us up into a frenzy of audience participation. Katy Stephens had commented on how hard she was finding it to do Rosalind’s intelligence as she tends to come more from the heart, but personally I found the strength of her Rosalind’s emotions helped the part enormously. After all, the woman has just fallen deeply in love, so I’d expect her to be feeling at least as much as she’s thinking, and that came across clearly in tonight’s performance.
I also loved Mariah Gale’s Celia. Her Rosalind was fine, but as Celia she was definitely on a par with Rosalind as a character. Her subtle reactions during Ganymede’s ‘wooing’ scenes with Orlando showed a young woman concerned for her friend and what she was getting herself into, while still being happy for her in having the man she loves present in the forest. She managed to behave girlishly without being silly, and I loved the way she totally joined in Rosalind’s emotional rollercoaster when Orlando fails to turn up the first time. Both actresses have created a very strong relationship between the characters, the closest I’ve seen on stage.
I was also aware from this angle that the Duke was looking at the girls as they applauded Orlando during the wrestling, and it seemed to me that, having discovered who Orlando is, this is what triggers his banishment of Rosalind, as he thinks she’s having too much of an influence on his own daughter. I didn’t spot any significant changes to the staging, although I did see more of some bits, and of course there were more lords both in the court and in the forest. There was an unpleasant smell after the forest feast – presumably something had been spilled while grilling the kebabs – and a couple of Phoebe’s rolls disappeared into the audience, but otherwise all seemed well. In fact, the only minor (and I mean minor!) quibble I had at the start was that Orlando, the youngest son of Sir Roland, looked older than his brother, but I soon got past that, especially as Katy had informed us that Jonjo O’Neill is a great snogger. (On stage, at least, I have no idea what he’s like in real life.)
The rabbit skinning incident drew fewer squeamish responses from the audience this time and I hope we were suitably supportive of the changed epilogue tonight. Katy certainly looked happy at the end, as did the rest of the cast. And so were we.
© 2009 Sheila Evans at ilovetheatre.me