The Winslow Boy – June 2009

8/10

By Terence Rattigan

Directed by Stephen Unwin

Venue: Yvonne Arnaud Theatre

Date: Friday 12th June 2009

This was another Simon Higlett design, which we’d seen previously at an afternoon talk at the Rose Theatre. The whole set was encompassed by a huge picture frame, set at an angle. The sitting room itself had double doors to the left with a glimpse of the hall through them when they were opened, another door on the right to the library and French windows centre back. The furniture was simple but of good quality, with a sofa to the left of the double doors, a table in the middle and Mr. Winslow’s chair to the right near the front.

No need to go into the story here. The performances were excellent, among the best I’ve seen. The dialogue was wonderfully well delivered and I don’t think I’ve seen another production get so much humour out of the play. In particular, I loved the underplaying of many of the reactions which made each situation funnier. For example, when Ivy inadvertently breaks the news that Master Ronnie has returned home early despite everyone else conspiring to keep Mr. Winslow in the dark, there was very little obvious reaction amongst the characters but we got the point loud and clear (and laughed loud and clear as well).

The whole ensemble performed brilliantly, but I will just mention two of the cast. Timothy West was superb as Mr. Winslow, showing a wide emotional range as well as delivering some wonderful lines to perfection. Adrian Lukis played a more oily version of the QC Sir Robert Morton than I’ve seen before, but it worked very well. I found myself wondering what it’s like to make your first entrance towards the end of the first half,and to build up so quickly to such a magnificent exit line. I didn’t feel he and Kate would be so likely to get together this time round, but you never know.

Finally, I must mention that interrogation scene just before the interval. The interruptions by the family were spot on and I was able to feel their concern along with them. The climax was just as good as ever, and I had to wipe away a tear in the interval. I do like Rattigan’s work.

© 2009 Sheila Evans at ilovetheatre.me

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