The Turn Of The Screw – March 2008

5/10

By Henry James, adapted by Ali Gorton

Directed by Ali Gorton

Venue: Connaught Theatre

Date: Thursday 13th March 2008

I nearly gave this a 3/10 rating, as the first half was very weak. It picked up in the second half though, and so I felt that overall a 5/10 rating was just appropriate.

There were a number of problems with the production. The set was another portmanteau effort, which seemed too jumbled to give me any real sense of place most of the time. The scene down by the lake was good, with some of the furniture removed, and mist billowing out across the stage and auditorium, but otherwise I found the locations quite confusing. Added to this was the lighting, which was often dim. For good reason admittedly, but it still made it harder to see what was going on. The story was told in a strange sequence, with the last scene chronologically shown first, then a flashback to the governess being offered her post, then another flashback to when the two servants were alive, then a flash forward to the governess’s arrival at the house. Knowing the story reasonably well, I wasn’t too worried, but I did wonder how someone who didn’t know it would get on.

Apart from that, there were some odd effects, such as having one of the lights flash on and off rapidly. It was presumably meant to tell us something about the ghostly apparitions, but I certainly didn’t get anything from it. And the horrendous wig the previous governess was wearing was only scary in the humorous sense. But the biggest problem was in the delivery of the lines. Again, I knew the story fairly well, so I was able to get by, and perhaps a headset would have helped a bit, but unfortunately Honeysuckle Weeks showed a distinct lack of vocal prowess in this part. She gabbled a lot of her lines as if she were in a race. We had started fifteen minutes late, and I briefly wondered if they were hurrying to catch up the lost time, but it was just the pace they were playing it at. Her voice definitely needs to be developed if she’s going to do much on the stage. [18/9/11 Seen her several times since and she’s been fine – don’t know what went wrong tonight]

Despite that, she got across a good picture of a highly strung young woman of a romantic disposition, used to her own family, who gets caught up in the atmosphere of the first house she goes to work in. The possibility of the ghosts being entirely in her imagination is one that was new to Steve, though I’d come across it before in a TV adaptation, and it’s well presented here. Personally I think there’s a bit of both options going on. The two servants have left an emotional legacy which has been ignored up to now, and the sensitive governess picks up on this and takes it further than she has any right to, making serious misjudgements along the way. There were some scary moments – I held Steve’s arm for a while – and the death scene was well done, so the evening ended better than it had begun.

© 2008 Sheila Evans at ilovetheatre.me

Little Women – November 2006

Experience: 5/10

By Louisa M Alcott, adapted by Ali Gorton

Directed by Ali Gorton

Venue: Connaught Theatre

Date: Tuesday 7th November 2006

This was a good adaptation, and a reasonable production, marred only by poor delivery from many of the cast, more used to TV work than theatre.

I liked that the adaptation only covered the first of the books, Good Women, from Christmas to Christmas, and although they still couldn’t include everything, we got enough of a sense of the events they went through and how they were affected, though it wasn’t as good as reading the book, obviously. There were some cumbersome scene changes, but then the set had to cater for quite a few locations, mainly the Marches living room, but also Mr Laurence’s study, a ballroom, and the garden.

The performances were good, too, apart from the delivery. The various characters came across very well, especially Amy, and some scenes came across more clearly than I remembered from the book – like the problem with Meg and Jo sharing gloves. Overall it worked very well, and I felt this was one of the better adaptations this company has done.

© 2006 Sheila Evans at ilovetheatre.me