The Case Of The Frightened Lady – February 2018

Experience: 7/10

By Edgar Wallace, adapted by Antony Lampard

Directed by Roy Marsden

Company: The Classic Thriller Company

Venue: Yvonne Arnaud Theatre

Date: Thursday 8th February 2018

Perhaps I’m being a bit kind to this production, but I often find I lower my expectations for these old-fashioned plays: as long as the cast turn in a decent set of performances, the staging is suitably brisk and the set and costumes don’t let the cast down, then I’m prepared to enjoy myself. And that’s how it turned out tonight. The story managed a surprise or two, there were some good laughs, and the cast made the most of their fairly thin characters to provide us with an entertaining evening.

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Amadeus – February 2018

Experience: 6/10

By Peter Shaffer

Directed by Michael Longhurst

Venue: Olivier Theatre

Date: Thursday 1st February 2018

This was something of a disappointment. Given the high standard of some of his previous performances, we were looking forward to seeing Lucien Msamati as Salieri, as well as revisiting this excellent play in a different production. The reviews had been very good, although we hadn’t read any of the details, so it was only as we took our seats that the potential problems became apparent. Still, we kept our minds as open as possible and restrained our expectations: even so, I found myself revising my rating of the experience down and down again. Steve enjoyed it more than I did – he would have given it 7/10 – but we were largely in agreement with the overall standard. So was the paying public, it would seem, as this matinee was only just over half full, leaving large swathes of empty seats in the circle, rear stalls and sides.

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The Weir – January 2018

Experience: 7/10

By Conor McPherson

Directed by Adele Thomas

Companies: English Touring Theatre and Mercury Theatre Colchester

Venue: Minerva Theatre

Date: Wednesday 31st January 2018

Irish drama isn’t usually my thing, but I was glad I went to this performance. Steve had seen the play some years ago (the revival at the Donmar) and this was certainly as good as that production, and better in at least one role. It’s not an earth-shaking drama – it doesn’t have to be, of course – but it did create a nice sense of the otherworldly, together with a gentle ambiguity which led to more discussion afterwards than many another more straightforward play.

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Driving Miss Daisy – November 2017

Experience: 8/10

By Alfred Uhry

Directed by Richard Beecham

Company: Theatre Royal Bath

Venue: Chichester Festival Theatre

Date: Thursday 30th November 2017

This was a pleasant surprise. Having seen a decent touring production at the Theatre Royal Brighton in 1993, I considered this a fairly average play: I was happy to see it again but didn’t have high expectations. Steve had also seen the production at the Old Vic in 2011, in which Vanessa Redgrave and James Earl Jones demonstrated that they might have been the right age, but they no longer had the power to do the parts justice.

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King Lear – October 2017

Experience: 9/10

By William Shakespeare

Directed by Jonathan Munby

Venue: Chichester Festival Theatre

Date: Thursday 5th October 2017

We’re so glad that Sir Ian McKellen decided to have another go at this part. We found the earlier production, part of the RSC’s Complete Works season, rather dull, but there was no lack of tension and excitement in tonight’s performance. The emotional aspects of the various characters were fully developed this time, while the staging was brisk and the story-telling clear, all of which made for a much more enjoyable and fulfilling experience.

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Gabriel – May 2017

Experience: 6/10

By Moira Buffini

Directed by Kate McGregor

Venue: Yvonne Arnaud Theatre

Date: 19th May 2017

It’s a good job Steve and I had already seen other plays by Moira Buffini which we enjoyed – if we had seen this one first we might not have booked for some of the others. Her inexperience shows in this, the first of her plays, through the underwritten characters, weak story and rather tepid ending. Some strong performances helped, as did some good humour, but the second half still dragged. Even making allowances for the fact that I was very tired after a hard week’s playgoing, I wouldn’t willingly watch this piece again. Steve got more out of this performance than I did, but not enough to raise the overall rating.

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Trespass – May 2017

Experience: 6/10

By Emlyn Williams

Directed by Patric Kearns

Company: Talking Scarlet

Venue: Yvonne Arnaud Theatre

Date: Thursday 11th May 2017

The charms of an old-fashioned spooky play were lost on Guildford’s playgoers – tonight we were among only a few dozen who chose to spend their evening facing this stage. While this piece isn’t the best of its kind, and the production was towards the cheaper end of the spectrum, we found it enjoyable enough: perhaps a fuller auditorium would have given it more atmosphere, but maybe not.

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Tartuffe – May 2017

Experience: 9/10

By Andrew Hilton and Dominic Power, after Moliere

Directed by Andrew Hilton

Company: Shakespeare at the Tobacco Factory

Venue: Tobacco Factory

Date: Wednesday 3rd May 2017 

As expected, this had come on a lot since our first viewing. The dialogue was crisper, we had the advantage of having seen it once before, and these factors, coupled with a much more responsive audience, made for a very entertaining evening. It’s a shame so few people will get to see this, but at least we are among the happy few.

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Tartuffe – April 2017

Experience: 8/10

By Andrew Hilton and Dominic Power, after Molière

Company: Shakespeare at the Tobacco Factory

Directed by Andrew Hilton

Venue: Tobacco Factory

Date: Tuesday 11th April 2017

I was aware that this was an adapted version of Tartuffe, but I wasn’t sure what to expect. As it turned out, this was one of the best versions we’ve seen of this play, second only to the RSC’s 1983 production with Nigel Hawthorne, Alison Steadman, Anthony Sher and David Bradley, amongst others. In this adaptation, the story has been updated to the present day, allowing for topical references, and it all worked brilliantly within a political setting. The characters were also wonderfully updated, and although the comedy took a while to get going – the audience were a bit slow to warm up tonight – there was plenty to laugh at in the later acts.

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Othello – February 2017

Experience: 8/10

By William Shakespeare

Directed by Richard Twyman

Company: Shakespeare at the Tobacco Factory and The Tobacco Factory

Venue: The Tobacco Factory

Date: Monday 27th February 2017

Another fantastic production from STF, with the emphasis clearly on the text and the characters. The two young actors playing Othello and Desdemona did good work, but for me it was the brilliance of Mark Lockyer’s Iago supported by Katy Stephen’s perfectly pitched Emilia that made this performance so powerful. There were one or two aspects which didn’t work quite so well, but this is a production I would recommend highly to anyone: it’s a shame the public haven’t responded by making it a sell out for the whole of its run.

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