Othello – July 2015

Experience: 5/10

By William Shakespeare

Directed by Iqbal Khan

Venue: RST

Date: Friday 24th July 2015

This was a strange experience. Both Steve and I rated one performance considerably higher than the production as a whole, and that doesn’t happen often. Despite this, or perhaps because of it, we’re looking forward to our second viewing as we’ve often found in the past that once we’ve adjusted to the way a production is being done, we can get a lot more out of a return visit, not to mention the possibility of improvements happening over time.

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To Kill A Mockingbird – July 2015

Experience: 10/10

Adapted by Christopher Sergel from the novel by Harper Lee

Directed by Timothy Sheader

Company: Regent’s Park Open Air Theatre

Venue: Barbican

Date: Thursday 2nd July 2015

This was a fabulous performance, and I’m thrilled we got to see it. The style of presentation meant that it took about fifteen minutes for me to be fully engaged, but after that we had a blissful ride through one of the most intelligent and moving stories ever written. I sniffled, I cried, there was quite a lot of humour and even a gasp, not to mention tumultuous applause at the end. A great afternoon.

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The Merchant Of Venice – May 2015

Experience: 6/10

By William Shakespeare

Directed by Polly Findlay

Venue: RST

Date: Tuesday 26th May 2015

This has only just been reviewed by the papers, so it’s still early in its run; hopefully it will come on from this shaky and rather uninspiring start. The production style included a fair amount of gimmicks – a swinging pendulum, mirrors at the back and on the floor, lots of candles – which often proved to be a distraction, and with very little detail in most of the performances I found I couldn’t care about these characters at all. The script had been heavily edited but the story was pretty clear; it’s just that their way of telling it didn’t engage me or give me any insight into the play. It’s possible that the inkblot style had been deliberately extended to the characterisations as well, supposedly allowing us to make our own minds up; although some people prefer that style of production, I generally find it unhelpful. Having said all this, we enjoyed ourselves enough to rate the performance at 6/10, so there’s the possibility of improvement on further viewing.

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The Rehearsal – May 2015

Experience: 7/10

Preview

By Jean Anouilh

Translated and directed by Jeremy Sams

Venue: Minerva Theatre

Date: Tuesday 12th May 2015

1983 was the last time we saw this play; naturally our memories had faded almost completely in that time. So we were glad to have this opportunity to see it again, and this production in the Minerva certainly gave us some very strong performances to remember.

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Romeo And Juliet – March 2015

Experience: 7/10

By William Shakespeare

Directed by Sally Cookson

Venue: Rose Theatre, Kingston

Date: Thursday 19th March 2015

One of the lovely things about the number of Shakespeare productions being put on these days is that we get a chance to compare and contrast performances much more quickly than before. This is a fairly typical case: an early performance of one production followed a few weeks later by a completely different version with a reprise of the first one close on its heels. There were some interesting similarities amongst the many differences, and both had a lot to offer with their individual take on the play.

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Twelve Angry Men – March 2015

Experience: 8/10

By Reginald Rose

Directed by Christopher Haydon

Venue: Yvonne Arnaud Theatre

Date: Friday 13th March 2015

It’s almost exactly a year since we saw this production in London, and tonight was just as enjoyable an experience. Most of the cast had changed, but the set and staging were all the same, although they didn’t play the city noises before the start. Being in the front row meant that we were closer to the action and I certainly heard much more of the excellent dialogue tonight. The audience were nicely responsive, and the conflicts between the characters came across very clearly, while the tension of the unfolding story built nicely as well, especially through the second half. The revolve worked well, shifting the position of the table so subtly that I didn’t notice it, but I was more aware of the many trips to the water cooler made by most of the characters. All the performances were good, and Steve even thought that Tom Conti just shaded Martin Shaw as juror 8. (I had them neck and neck.)

One thing I was more aware of this time round was that the jurors had had to absorb a great deal of evidence over three days, so they hadn’t been able to spot the discrepancies till juror 8 made them spend some time considering their verdict. We did get a look at the floor plan of the flat this time; it was big enough to see, at least from the front rows. The quality of this play is such that we could watch it time and again and still find it enjoyable and gripping, so hopefully it will come back around in the future.

© 2015 Sheila Evans at ilovetheatre.me

Romeo And Juliet – February 2015

Experience: 7/10

By William Shakespeare

Directed by Polina Kalinina

Company: SATTF

Venue: Tobacco Factory

Date: Friday 27th February 2015

For once, I’ll have to take my time describing the set for this production. Unlike their usual bare stage, this version of Will’s play made use of a very unusual piece of stage furniture, and as it went through several changes during the performance, there’s a lot to say about it. While I found its presence a bit of a distraction (because I felt compelled to jot down notes about it instead of focusing on the action) Steve didn’t notice it so much; however neither of us felt that it added much to the production.

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Oppenheimer – January 2015

Experience: 8/10

By Tom Morton-Smith

Directed by Angus Jackson

Venue: Swan Theatre

Date: Tuesday 20th January 2015

Wow. We didn’t have high expectations for this play, despite it being in the Swan and starring John Heffernan (one of our favourite actors) as Oppenheimer himself. We were prepared for it to be a bit dry, a bit too technical, perhaps even – dare I say it? – a bit boring, but the whole thing was an amazing piece of theatre, with music, jokes and lots of interesting information as well as lively debates. And yes, the horrific effects of the bombs dropped on Hiroshima and Nagasaki were brought out in a very effective and moving way. Given that this was a preview, I’d expect the performances to come on even more, and now that we know who is who in the story, our second viewing should bring out much more detail. Time will tell.

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The Christmas Truce – January 2015

Experience: 9/10

By Phil Porter

Directed by Erica Whyman

Venue: RST

Date: Thursday 15th January 2015

We enjoyed this production so much when we saw it before Christmas last year that we decided to fit in another viewing, so here we are. Again we sat in the centre front stalls, the same seats as for the understudy run, so no complaints about our view. One young lad did a ‘wiggle’ dance to celebrate his success at the coconut shy, but otherwise the standard was pretty poor – Chris had to use his foot on one occasion or we’d have still been sitting there now waiting for the start!

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The Christmas Truce – December 2015 (2)

Experience: 9/10

Understudy performance

By Phil Porter

Directed by Jane Moriarty

Venue: RST

Date: Friday 19th December 2014

This was even more enjoyable than yesterday’s performance. We were siting centrally in the front stalls, and had a great view of the action, plus, as it was the understudy run, we had the added benefit of the atmosphere that creates. We came earlier as well, though as it turns out we didn’t miss much yesterday, as the fun only started about fifteen minutes beforehand.

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